Carrie Best |
An intelligent child, Best wrote her first poems at the age of four and often submitted her opinions in letters to the editors of local newspapers as a teenager. Unhappy with the racial stereotypes portrayed in popular books and local culture, Best sought out the work of African-American poets and historians.
In December 1941, Carrie Best heard that several high school girls had been removed by force from the Roseland Theatre in New Glasgow. The Black teens had attempted to sit in the “white only” section. Best was outraged. She vigorously argued against the racist policy to the Roseland Theatre’s owner, Norman Mason, in person and by letter, but her efforts were unsuccessful.
A few days later, the 38-year-old and her son, Calbert, attempted to purchase tickets for the main floor of the theatre. The cashier issued tickets for the balcony, the area reserved for Black patrons. Leaving the tickets on the counter, the mother and son walked into the auditorium. When the assistant manager demanded that they leave, the Bests refused, and the police were called. Roughly hoisted from her seat by the officer, Best and her son were charged with disturbing the peace, convicted and fined. Best could now take legal action against the theatre.
Filing a civil lawsuit that specified racial discrimination, Best claimed damages for assault and battery, damage to her coat and breach of contract. Mason and the Roseland Theatre Company Ltd. claimed that the Bests were trespassers without tickets. The case, heard on 12 May 1942, failed: the proprietor’s right to exclude anyone won out over the bigger issue of racism. The judge not only ignored the discrimination but also ordered Best to pay the defendant’s costs.
In 1946, she and her son, Calbert, founded The Clarion, one of the first Nova Scotia newspapers owned and published by Black Canadians. The Clarion reported on sports, news, social activities and other significant events. For a decade, The Clarion covered many important issues and advocated for Black rights.
While operating her newspaper, Carrie Best took on another challenge. Unable to find radio programming to her liking, Best yearned for something soothing and inspiring. She solved the problem by broadcasting her own program, The Quiet Corner, which debuted in 1952, with Best at the microphone. The radio show ran for 12 years featuring classical and religious music segments, while Best entertained fans by reading the works of American poet Henry Wadsworth Longfellow and African American poet Paul Laurence Dunbar.
Excerpts are taken from www.thecanadianencyclopedia.ca
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